Part 1 Louvre – Corot, Jean-Baptiste-Camille (Paris 1796-1875) - Memories of Mortefontaine, 1864, 65x89
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A group of figures occupies a small clearing near the waters edge. They are indistinct, appearing as silhouettes against the diffused light, their postures suggesting contemplation or quiet conversation. One figure, centrally positioned, is clad in red and appears to be gesturing towards the distant view, perhaps indicating something significant within the landscape itself. The other individuals seem to be listening intently, creating a sense of shared experience or narrative.
The water surface reflects the sky above, which is overcast with a pale grey light. This creates an overall tonal harmony throughout the scene, reinforcing the feeling of quiet introspection. A distant structure – possibly ruins or a crumbling edifice – is barely discernible through the haze, adding another layer of mystery and hinting at the passage of time and the weight of history.
The artist’s brushwork is loose and expressive, prioritizing atmosphere over precise detail. This technique contributes to the dreamlike quality of the scene, blurring the boundaries between reality and memory. The composition evokes a feeling of solitude and nostalgia; its not merely a depiction of nature but rather an exploration of personal recollection and the emotional resonance of place. The subdued palette and indistinct figures suggest that this is less about documenting a specific location and more about conveying a mood – a fleeting moment captured in the realm of memory.