CHARDIN, Jean-Baptiste-Sim?on – (b. 1699, Paris, d. 1779, Paris) Part 1 Louvre

The painting is a self-portrait of the artist Jean-Baptiste-Siméon Chardin, executed in 1775. Chardin is depicted from the chest up, facing slightly to the left, with his head turned to look directly at the viewer. He is wearing a white cap, a dark hat with a teal brim, round spectacles, and a loosely tied scarf of muted oranges, whites, and blues. A white fabric is also wrapped around his head, peeking out from under the cap and hat. His skin appears warm and flush, particularly on his cheeks. He has a subtle, almost imperceptible mustache. The background is a deep, muted blue-gray, creating a somber and intimate atmosphere. The artists signature and the date are visible in faint lettering in the lower right corner.
The subtexts of this self-portrait are numerous and point to Chardins state of mind and artistic philosophy in his later years. The spectacles, a common accessory for older individuals, signify his age and perhaps his keen observational skills honed over a lifetime of painting. The somewhat informal attire, particularly the hat and scarf, suggests a sense of comfort and perhaps even a touch of eccentricity. The direct gaze can be interpreted as a sign of self-assurance and an invitation for the viewer to engage with his inner world. Given Chardins reputation for humility and his dedication to depicting the ordinary with extraordinary sensitivity, this self-portrait likely serves as a profound reflection on his lifes work and his enduring pursuit of truth and beauty in the everyday. The muted palette and intimate focus contribute to a sense of quiet introspection, hinting at the artists contemplation of his legacy and mortality.