Homero Aguilar – lrs Aguilar Homero Marea Alta Morea Baja
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The floorboards are depicted with an almost obsessive attention to detail, their grain and sheen reflecting the light source that enters from the right side of the canvas. This light casts strong shadows, emphasizing the three-dimensionality of the space and contributing to its somewhat unsettling stillness. The walls are divided horizontally by a band of darker green, which disrupts the visual flow and adds another layer of complexity to the spatial arrangement.
Framed within the wall panels are two rectangular openings that function as windows or paintings, each presenting a seascape under an overcast sky. These views offer glimpses of a turbulent ocean, contrasting with the controlled order of the interior space. The horizon line in these framed scenes is positioned at varying heights, further destabilizing any sense of consistent perspective.
The subtexts within this work revolve around themes of perception, illusion, and the constructed nature of reality. The repeated doorways and windows suggest a desire to escape or transition into other spaces, while the meticulously rendered details hint at an underlying anxiety about confinement or control. The juxtaposition of the ordered interior with the chaotic seascape creates a tension between human construction and natural forces.
The painting’s overall effect is one of quiet unease; it invites contemplation on the boundaries between inside and outside, reality and representation, and the ways in which we construct our understanding of space and experience. Its possible to interpret this as an exploration of memory or a psychological landscape where familiar structures are subtly distorted, prompting questions about their stability and authenticity.