Golden Hall. Sketch of scenery for the ballet by A.N. Koreshchenko Magic Mirror Alexander Golovin (1863-1930)

The sketch presents a lavish interior space, presumably intended as a stage backdrop for a ballet performance. The dominant impression is one of opulent grandeur and fantastical ornamentation. Here we see a hall characterized by soaring arches and elaborate architectural detailing, all rendered in a warm, predominantly orange-red palette. This color scheme immediately evokes associations with precious metals – gold and bronze – reinforcing the sense of luxury and wealth.
The structure itself appears to be based on classical motifs, but these are heavily stylized and embellished. The columns supporting the arches are not simple cylinders; instead, they are adorned with intricate carvings that suggest both floral and geometric patterns. Above, a complex ceiling design incorporates swirling forms reminiscent of foliage or perhaps stylized clouds, further contributing to the dreamlike quality of the scene.
The artist has employed loose brushstrokes and a lack of precise detail, which lends an immediacy and dynamism to the composition. This approach prioritizes conveying atmosphere over photographic realism, aligning with the function of a sketch intended for theatrical design. The figures in the upper portion of the image are indistinct, appearing as winged beings or spirits – their placement high above suggests they occupy a realm beyond the earthly space below.
The central area behind the arches is darker and more ambiguous, hinting at depth and suggesting a distant perspective. A glimpse of green through the archway introduces a contrasting color that might represent an outdoor setting or another layer to the narrative unfolding on stage. The overall effect is one of theatrical spectacle – a place where magic and illusion are commonplace.
Subtly, there’s a sense of controlled chaos in the design. While the architecture suggests order and symmetry, the swirling ornamentation and indistinct figures introduce elements of unpredictability, hinting at the fantastical nature of the ballets narrative. The sketch doesnt merely depict a space; it evokes an emotional response – one of awe, wonder, and perhaps even a touch of unease in the face of such overwhelming splendor.