Alexander Golovin – Bank of the Volga. Scenery sketch for A.N.Ostrovsky’s drama The Thunderstorm
1916.
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Dominating the background is a steep embankment upon which sits a structure identifiable as an Orthodox church, its distinctive onion dome rising prominently against the sky. This architectural element introduces a sense of established tradition and spiritual significance to the landscape. The sky itself is rendered in broad strokes of yellow and orange, suggesting either sunrise or sunset – a time often associated with transition and emotional intensity.
The artist’s use of color contributes significantly to the overall mood. A palette dominated by greens and yellows evokes a feeling of natural abundance, while the darker tones used for the figures and foreground elements create a sense of depth and shadow. The brushwork is loose and expressive, prioritizing atmosphere over precise detail. This technique lends an immediacy to the scene, as if capturing a fleeting moment in time.
Beyond the literal depiction of a landscape, the painting seems to convey themes of community and tradition within a rural setting. The presence of the church suggests a strong connection to faith and established social order. The figures’ relaxed postures imply a sense of familiarity and belonging. However, the looming sky and the somewhat melancholic color scheme also hint at underlying tensions or unspoken anxieties – perhaps foreshadowing the dramatic events that will unfold in the play for which this sketch was created. The compositions function as a stage design element further emphasizes its role in conveying atmosphere and setting the emotional tone of the narrative.