Alexander Golovin – Main curtain. Sketch of the scenery for the drama by M.Yu. Lermontov Masquerade
1917.
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The fabric itself appears heavy and luxurious; the rendering implies a tactile quality – a richness beyond mere surface decoration. The gold embroidery isnt uniformly applied but rather follows patterns reminiscent of stylized foliage or abstract ornamentation. These details contribute to an overall impression of opulence, hinting at a setting intended for high society.
Below the central archway, a more delicate embroidered motif emerges. Here we see what appears to be a fan and a mask, rendered in a lighter color palette against the darker background. This detail is significant; it directly references themes of disguise, deception, and hidden identities – elements frequently associated with theatrical performance and social gatherings. The placement of these symbols at the base of the curtain suggests they are foundational elements of the drama being staged.
The use of deep red as a primary color carries symbolic weight. Red often signifies passion, secrecy, or even danger, aligning with potential dramatic tensions within the play. The gold accents, while contributing to the sense of luxury, also evoke associations with royalty and power – suggesting that the narrative might involve themes of social hierarchy or political intrigue.
The overall effect is one of controlled theatricality. The design doesn’t merely serve as a backdrop; it actively participates in establishing the mood and hinting at the underlying narrative. It suggests a world where appearances are carefully constructed, and hidden agendas lie beneath a veneer of elegance.