Jean Nocret (After) – Philip I (1640-1701), Duke of Orleans
129.5×97.5
Location: National Museum (Nationalmuseum), Stockholm.
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The artist has rendered the man’s clothing and armor with meticulous detail. A suit of polished steel armor covers his torso, contrasted by an elaborate lace-trimmed shirt visible at the collar and cuffs. The dark, flowing wig is characteristic of the period, framing a face marked by delicate features and a carefully cultivated air of refinement.
The background is complex. Heavy draperies in rich shades of red and gold cascade from above, hinting at a palace setting or significant status. A glimpse of what appears to be a landscape can be discerned through the folds of the fabric, though it remains indistinct. The lighting is dramatic, with strong contrasts between light and shadow that emphasize the contours of his face and armor while softening the background.
The flowers held in his hand introduce an element of unexpected gentleness against the backdrop of military regalia. Their fragility stands in contrast to the implied power conveyed by the armor, suggesting a possible duality within the subject’s character – perhaps a combination of martial strength and cultivated sensibilities. The baton or staff he leans upon further reinforces this sense of authority, but its casual handling implies a relaxed confidence rather than an aggressive display of dominance.
The overall effect is one of carefully constructed persona. Its not merely a depiction of physical appearance; it’s a statement about status, power, and perhaps even the complexities of identity within a hierarchical society. The artist seems to have aimed for a portrayal that balances strength with refinement, projecting an image of a man who embodies both military prowess and courtly grace.