Cornelis Norbertus Gijbrechts (1630 – 1675) – Trompe l Kobenhavn (SMK) National Gallery of Denmark

The composition presents a meticulously rendered still life, designed to challenge perception and engage in a playful deception. Here we see a collection of objects arranged on what appears to be a richly patterned carpet, partially obscured by a heavy drape. The arrangement is not straightforward; it exists as an illusion, blurring the boundaries between reality and representation.
The foreground is dominated by a vibrant red lobster, positioned atop a folded linen cloth. This crustacean’s intense color contrasts sharply with the muted tones of the surrounding objects and the dark background, immediately drawing the viewers attention. Beside the lobster sits a woven basket overflowing with fruit – plums, peaches, grapes – and what appears to be a melon. A silver ewer or pitcher stands nearby, reflecting light in a manner that enhances its metallic sheen.
The drape, rendered with remarkable detail, hangs from a cord strung across the top of the canvas. Its folds and shadows are so realistically depicted that it initially seems to conceal more objects behind it. The gold trim along the edge of the fabric adds another layer of visual complexity, catching the light and creating highlights that further contribute to the illusionistic effect.
The carpet itself is a significant element. Its intricate design – a complex interplay of floral motifs in red, green, and gold – provides a rich textural contrast to the smooth surfaces of the objects. The way it extends beyond the visible boundaries suggests an expansive space beyond the confines of the canvas.
Subtleties within the painting hint at deeper meanings. The lobster, often associated with luxury and abundance, might symbolize earthly pleasures or even vanity. The fruit, a common motif in still life paintings, can represent fertility, prosperity, and the fleeting nature of time – a reminder of mortality given their perishable quality. The drape, beyond its role in creating the illusionistic effect, could be interpreted as a symbol of concealment or mystery, hinting at hidden truths or realities.
The overall impression is one of controlled opulence and intellectual playfulness. The artist’s skill lies not only in his ability to render objects with photographic accuracy but also in his deliberate manipulation of perspective and light to create an experience that questions the viewers understanding of what is real and what is merely representation.