Nicolai Abraham Abildgaard (1743-1809) – The Midwife Taking Leave of the girl from Andros. From Terence’s Andria Kobenhavn (SMK) National Gallery of Denmark

The composition presents a scene unfolding within a classical architectural setting. A young woman, clad in a flowing green garment, gestures emphatically towards two older men who appear to be attempting to restrain her. Their attire suggests a status of authority or perhaps paternal concern; they are draped in simple, yet dignified robes of yellow and green respectively. The central figure, the man in yellow, exhibits an expression of distress or pleading, his hands raised as if in supplication.
The setting is crucial to understanding the work’s potential meaning. A grand building, reminiscent of Roman architecture with its columns and arched openings, dominates the background. This structure provides a sense of formality and perhaps even institutional power. Within one of these arches, another figure can be discerned, seemingly observing the unfolding drama from a distance. The landscape visible beyond suggests an idyllic, pastoral scene, contrasting sharply with the immediate tension in the foreground. A single pigeon perches atop the building, adding a touch of unexpected life to the otherwise static architectural elements.
The arrangement of figures and their gestures suggest a narrative moment of departure or separation. The woman’s animated pose implies resistance or protest against the mens actions. Their attempts at restraint could signify an effort to prevent her from leaving, perhaps due to familial obligation or societal expectation. The presence of a small dog near the feet of the man in green adds a domestic element to the scene, hinting at a personal connection and potentially emphasizing the emotional weight of the separation.
The use of light is significant; it illuminates the figures in the foreground while leaving portions of the architecture in shadow, drawing attention to the human drama taking place within this formal setting. The overall effect is one of restrained emotion and underlying conflict, suggesting a complex interplay between individual desire and societal constraints.