Pieter Lastman (1583-1633) – The Angel Raphael Takes Leave of Old Tobit and his Son Tobias Kobenhavn (SMK) National Gallery of Denmark

The composition presents a scene steeped in narrative weight, dominated by a celestial figure departing from two human subjects. Here we see an angel, rendered with considerable detail and luminosity, positioned centrally but elevated above the earthly plane. The angels pose is one of farewell; his arm extended outward, suggesting a gesture of blessing or perhaps a poignant acknowledgement of separation. His wings are expansive, catching the light and contributing to his ethereal presence. He appears to emerge from a swirling mass of dark foliage and cloud cover, which simultaneously obscures and highlights him.
Below, an elderly man with a long beard and a younger man kneel in apparent reverence. The older figure’s posture conveys weariness and humility, while the younger man seems to offer support and comfort. They are positioned near what appears to be a collection of vessels or ceremonial objects, hinting at ritualistic significance. A goat stands nearby, adding an element of pastoral simplicity to the scene.
The background is meticulously constructed, depicting a city perched atop a hill. The architecture suggests a classical influence, with visible towers and fortified structures. A rider on horseback can be seen in the distance, further emphasizing the scale and complexity of the setting. The sky transitions from a stormy darkness above to a lighter blue towards the horizon, creating depth and visual interest.
Subtleties within the painting suggest layers of meaning beyond the immediate narrative. The contrast between light and shadow is pronounced, highlighting the spiritual divide between the angel and the human figures. The dark foliage surrounding the angel could symbolize trials or tribulations overcome, while the city in the background might represent a future reward or deliverance. The presence of the goat introduces an element of sacrifice or provision, potentially alluding to themes of divine grace and sustenance. Overall, the work conveys a sense of solemnity and reverence, exploring themes of faith, duty, and the bittersweet nature of parting.