Cecco di Pietro (Active 1370 – before 1403) – Virgin and Child Playing with a Goldfinch and Holding a Sheaf of Mille Kobenhavn (SMK) National Gallery of Denmark
Kobenhavn National Gallery of Denmark – Cecco di Pietro (Active 1370 - before 1403) - Virgin and Child Playing with a Goldfinch and Holding a Sheaf of Mille 1379
The composition presents a central figure of a woman seated, holding a child in her lap. The woman is draped in a deep blue garment that falls in heavy folds, emphasizing a sense of solemnity and dignity. Her gaze is directed downwards, suggesting contemplation or perhaps a gentle sadness. The child, positioned centrally within the embrace, appears to be engaged with a small bird – a goldfinch – which he holds delicately. He also grasps a sheaf of what appear to be millefiori (thousand flowers), adding another layer of symbolic detail. The background is dominated by a gilded surface, creating an atmosphere of otherworldly radiance and emphasizing the sacred nature of the scene. The architectural frame surrounding the figures is ornate, with intricate carvings and decorative elements that contribute to the overall sense of richness and formality. A lower band features a pattern of alternating red and white panels punctuated by circular motifs, providing visual contrast against the blue of the woman’s robe and the gold background. Inscriptions are visible along the bottom edge of this band. The artists use of color is significant. The deep blue of the Virgin’s robes traditionally symbolizes royalty and piety, while the gold leaf evokes divine light and heavenly grace. The child’s pale skin contrasts with his mother’s darker tones, highlighting his innocence and vulnerability. Subtexts within this work seem to revolve around themes of maternal love, divine protection, and the symbolic representation of Christs future sacrifice. The presence of the goldfinch is particularly noteworthy; in Christian iconography, it often represents Christ’s Passion, referencing the legend that thorns would pierce the bird when he rested on Jesus’ crown. The millefiori held by the child could symbolize abundance, beauty, and perhaps a foreshadowing of his role as the source of spiritual nourishment for humanity. The downward gaze of the woman suggests humility and acceptance of her divine purpose. Overall, the painting conveys a sense of quiet devotion and profound religious meaning through its carefully considered composition, color palette, and symbolic details.
This site exists due to advertising revenue. Turn off Adblock, please!
Random pics
Cecco di Pietro (Active 1370 - before 1403) - Virgin and Child Playing with a Goldfinch and Holding a Sheaf of Mille — Kobenhavn (SMK) National Gallery of Denmark
Кому понравилось
Пожалуйста, подождите
На эту операцию может потребоваться несколько секунд. Информация появится в новом окне, если открытие новых окон не запрещено в настройках вашего браузера.
You need to login
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
You cannot comment Why?
The background is dominated by a gilded surface, creating an atmosphere of otherworldly radiance and emphasizing the sacred nature of the scene. The architectural frame surrounding the figures is ornate, with intricate carvings and decorative elements that contribute to the overall sense of richness and formality. A lower band features a pattern of alternating red and white panels punctuated by circular motifs, providing visual contrast against the blue of the woman’s robe and the gold background. Inscriptions are visible along the bottom edge of this band.
The artists use of color is significant. The deep blue of the Virgin’s robes traditionally symbolizes royalty and piety, while the gold leaf evokes divine light and heavenly grace. The child’s pale skin contrasts with his mother’s darker tones, highlighting his innocence and vulnerability.
Subtexts within this work seem to revolve around themes of maternal love, divine protection, and the symbolic representation of Christs future sacrifice. The presence of the goldfinch is particularly noteworthy; in Christian iconography, it often represents Christ’s Passion, referencing the legend that thorns would pierce the bird when he rested on Jesus’ crown. The millefiori held by the child could symbolize abundance, beauty, and perhaps a foreshadowing of his role as the source of spiritual nourishment for humanity. The downward gaze of the woman suggests humility and acceptance of her divine purpose. Overall, the painting conveys a sense of quiet devotion and profound religious meaning through its carefully considered composition, color palette, and symbolic details.