Kobenhavn National Gallery of Denmark – Kristian Zahrtmann (1843-1917) - The Death of Queen Sophie Amalie
1882
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Beside her kneels a figure clad in dark, fur-trimmed robes. The posture suggests reverence or grief, perhaps an attempt at solace offered to the dying woman. This individual’s face is partially obscured, adding to the sense of mystery and potentially symbolizing a broader representation of mourning rather than a specific person.
The setting itself contributes significantly to the paintings atmosphere. A table laden with silver goblets sits in the background, hinting at past celebrations and opulence now overshadowed by loss. Above this table, a bust is prominently displayed within an elaborate frame; its presence suggests lineage, authority, or perhaps a connection to historical figures whose lives have also been marked by mortality.
A chest overflowing with what appear to be jewels and garments lies open on the floor near the bed. This detail introduces a layer of complexity – a visual representation of material wealth rendered insignificant in the face of death. The scattered slippers further emphasize the abruptness of the transition, suggesting a life interrupted.
The color palette is dominated by dark tones – deep blues, browns, and blacks – which amplify the paintings melancholic mood. However, touches of pink and white within the bedding and the dying woman’s attire provide subtle contrasts that draw attention to her fragility. The overall effect is one of profound sadness tempered by a sense of regal dignity.
Subtly, the work seems to explore themes of mortality, loss, faith, and the ephemeral nature of earthly power and possessions. Its not merely a depiction of death but an exploration of its impact on those left behind and a meditation on the weight of history and tradition.