Jobst Cristopher Kress von Kressenstein (1597-1663) * Anselm van Hulle (1601-1674)

Here we observe a portrait depicting a man in what appears to be formal attire from the early seventeenth century. The subject is positioned centrally within the composition and faces directly toward the viewer, establishing immediate visual contact. His expression is serious, bordering on stern; his gaze is fixed and unwavering.
The artist has rendered the man’s features with considerable detail. Noticeable are the prominent brow ridges, a slightly hooked nose, and a carefully sculpted mustache and goatee – a style characteristic of the period. The skin tone appears somewhat ruddy, suggesting either exposure to the elements or perhaps an attempt by the artist to convey vitality.
The clothing contributes significantly to the portrait’s overall impression. He wears a dark, fur-lined coat, its texture meticulously captured through subtle variations in brushstroke and tonal value. A crisp white linen collar, adorned with a delicate tassel pendant, frames his face, providing a stark contrast against the darkness of the coat. This juxtaposition highlights the mans status and refinement.
The background is uniformly dark, almost black, which serves to isolate the figure and direct attention solely upon him. Inscribed in cursive script along the upper corners are two names: Jodocus Kress on the left and “Leg Norimb” on the right. These inscriptions likely identify the subject and his place of origin (Nuremberg).
Subtly, the portrait conveys a sense of authority and gravitas. The man’s direct gaze and formal attire suggest a position of power or influence within his society. The dark background and serious expression contribute to an atmosphere of solemnity and perhaps even austerity. It is likely intended as a record of status and lineage rather than a depiction of personality. The fur lining on the coat might also be interpreted as a symbol of wealth and privilege, further reinforcing this impression.