Nikolaus Georg von Raigersperger * Anselm van Hulle (1601-1674)

The portrait presents a man facing forward, his gaze directed towards the viewer. He is positioned against a dark, almost black background that emphasizes his figure and minimizes distractions. The composition is straightforward; theres no elaborate setting or symbolic objects beyond the subject himself.
Here we see a gentleman of apparent status, dressed in an ornate coat with intricate gold embroidery visible on the chest. The fabric appears heavy and luxurious, suggesting wealth and position. A high, starched collar frames his face, a common feature of formal attire during the period. His hair is long, flowing, and styled into voluminous curls that cascade around his shoulders – a fashionable hairstyle of the time.
The man’s facial features are rendered with a degree of realism, though softened by the conventions of portraiture. A prominent mustache dominates his upper lip, meticulously trimmed and curled upwards. The nose is substantial, and the eyes possess a directness that conveys a sense of authority or perhaps even scrutiny. An inscription above his head identifies him through a combination of given names, surname, and titles – Chvr Mainzi Sanslar, indicating ecclesiastical rank within Mainz.
The artist’s technique appears to prioritize detail in rendering textures – the sheen of the fabric, the individual strands of hair, and the subtle nuances of skin tone. The lighting is even, illuminating the face and upper body without harsh contrasts. This contributes to a sense of solemnity and dignity.
Subtly, the portrait conveys an impression of self-importance and established power. The formal attire, the direct gaze, and the inscription all work together to present a man who expects respect and recognition. While the style is relatively restrained compared to some Baroque portraits, theres a quiet confidence in his bearing that speaks volumes about his social standing. The dark background serves not only as contrast but also creates a sense of enclosure, suggesting a figure set apart from the everyday world.