Anselm van Hulle (After) – Heinrich Speijerman
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a man characterized by a carefully cultivated appearance. His hair, long and flowing, frames his face in loose waves, suggesting a certain degree of aristocratic nonchalance. A neatly trimmed mustache adds to this impression of controlled refinement. The facial expression is serious, bordering on stern; it conveys an air of authority and perhaps even solemnity.
The man’s clothing contributes significantly to the overall effect. He wears a dark, richly embroidered coat with a high, starched collar – a common feature in 17th-century portraiture. A decorative order or medal is pinned prominently on his chest, signifying status and potentially indicating membership in an important organization or service to a ruler. The intricate details of the embroidery are rendered with considerable care, highlighting the quality of the fabric and the skill of the artisan who created it.
The inscription at the top of the image provides further context, though its legibility is somewhat compromised by the photographic reproduction. It appears to be a dedication or identification label, likely intended to preserve the subject’s name and title for posterity.
Subtly, the darkness surrounding the figure serves to isolate him, drawing attention solely to his personage. This technique reinforces the sense of importance and elevates him above the mundane world. The limited color palette – dominated by dark tones – creates a somber mood that aligns with the serious demeanor of the sitter. It is likely this portrait was intended as a record of status and lineage, designed to project an image of power and respectability.