Anselm van Hulle (After) – Nicolo Promontorio
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a man of apparent status; the black cloak draped over his shoulders suggests wealth and authority. Its heavy folds create a sense of gravity and formality. Beneath the cloak, a richly embroidered waistcoat is visible, further reinforcing this impression of affluence. The elaborate ruff around his neck, adorned with delicate lace and small tassels, is characteristic of 17th-century fashion and signifies social standing.
The man’s face is pale, framed by dark hair that recedes slightly from the forehead. His eyes are direct and seemingly unwavering, conveying a sense of intelligence and perhaps even austerity. A neatly trimmed mustache and goatee add to his dignified appearance. The lighting emphasizes the planes of his face, creating subtle shadows that enhance its three-dimensionality.
The inscription at the top of the painting, rendered in Latin script, provides contextual information about the subject’s identity and titles. This textual element serves as a formal declaration of his position within society.
Subtly, there is an air of melancholy conveyed through the mans expression and the somber color palette. The darkness enveloping him might suggest burdens or responsibilities associated with his rank. While the portrait aims to project power and prestige, it also hints at introspection and a certain solemnity inherent in holding high office. The overall effect is one of restrained dignity and quiet authority.