Altanasio Ridolfi * Anselm van Hulle (1601-1674)

The portrait presents a man positioned against a dark, almost featureless background. He is depicted from the chest upwards, facing directly toward the viewer with a solemn expression. The lighting emphasizes his face and upper torso, leaving the lower portion of his garments in shadow.
Here we see a man of apparent stature; his attire suggests a position of some importance. A large, dark ruff frames his neck and shoulders, indicative of the fashion prevalent during the 17th century. His clothing appears to be made from a heavy fabric with subtle patterns visible in the light. The cut of his coat is simple but dignified, contributing to an overall impression of restrained elegance.
The man’s face is characterized by a prominent nose and a thick mustache that curls upward at the corners of his mouth. His eyes are dark and intense, conveying a sense of seriousness or perhaps even melancholy. Theres a slight asymmetry in his features, which lends a degree of realism to the portrayal.
Above the figure, inscribed in an elegant script, is a Latin inscription identifying him as Athanasius Rodulphitus Nobilis Florentinus – a noble citizen of Florence. This textual element reinforces the subject’s social standing and provides a direct link to his identity. The inscriptions placement above the head suggests a symbolic elevation or recognition of his status.
The artist employed a limited palette, dominated by dark tones that create an atmosphere of formality and gravitas. The use of chiaroscuro – the contrast between light and shadow – serves not only to highlight the subject but also to add depth and volume to his form.
Subtly, the painting conveys themes of lineage, civic duty, and perhaps a quiet introspection. The man’s direct gaze suggests an engagement with the viewer, inviting contemplation on his character and role within Florentine society. The overall effect is one of dignified restraint, characteristic of formal portraiture intended to commemorate individuals of note.