Anselm van Hulle (After) – Claude Jérôme Chabot
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a mature gentleman characterized by a receding hairline and reddish-brown hair, neatly trimmed at the sides. A carefully cultivated mustache adds to his dignified appearance. His skin tone suggests a certain level of health and prosperity. The man wears a dark, high-necked coat with an elaborate lace collar adorned with decorative tassels. Around his neck rests a richly ornamented chain, likely indicative of a significant office or honorific position. A small pendant hangs from the chain, adding another layer of detail to the ensemble.
The artist employed a restrained palette dominated by blacks, browns, and creams. The limited color range contributes to a sense of solemnity and formality. The brushwork appears relatively smooth, suggesting an attempt at realism while maintaining a degree of stylistic convention common in portraiture of this period.
Above the figure, inscribed in Latin script, is a title identifying him as Claudius de Chabot Sue Regia Celsifutinis Sabaudiae Legatus plenipot. This inscription immediately establishes his status as an envoy or representative of a royal power – likely the Kingdom of Savoy – and underscores the painting’s purpose: to document and celebrate his position.
Subtly, the dark background serves to isolate the subject, drawing attention solely to him and reinforcing his importance. The direct gaze suggests confidence and authority, inviting the viewer to acknowledge his status. The overall impression is one of a man holding considerable power and responsibility within a courtly setting – a figure whose presence commands respect and signifies diplomatic weight.