Anselm van Hulle (After) – Henry II (1595-1663), of Bourbon-Orleans
Location: National Museum (Nationalmuseum), Stockholm.
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The man’s hair is styled in voluminous waves, characteristic of the periods fashion, framing his face with dark curls that contrast against the lighter tones of his clothing. The collar, a distinctive feature of 17th-century dress, is a pale blue, intricately folded and tied at the throat. This detail draws attention to the neck and upper chest area, emphasizing the subject’s status and refinement.
The garments worn are particularly noteworthy. A white shirt or chemise peeks from beneath an elaborate coat adorned with vertical stripes of gold and silver thread. The richness of these materials and the complexity of their design underscore the individuals high social standing. The light reflects off the metallic threads, creating a shimmering effect that adds visual interest and reinforces the impression of opulence.
Above the subject’s head, an inscription is visible in elegant script, identifying him by name and titles. This textual element serves to solidify his identity and reinforce his position within the hierarchy of power.
The subdued color palette – dominated by dark grays, blues, whites, and golds – contributes to a sense of solemnity and formality. The limited use of color directs attention towards the subject’s face and attire, highlighting his importance. The darkness surrounding him isolates him from any specific environment, suggesting that he transcends the mundane and embodies an ideal of aristocratic authority.
The paintings overall effect is one of restrained grandeur; it conveys not only a likeness but also a carefully constructed image of nobility and power. It’s likely intended to project an aura of dignity, intelligence, and unwavering resolve.