Anselm van Hulle – Girolamo Sannazaro, delegat från Mantua
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a man of considerable means. His attire speaks to a position of importance: a black doublet heavily embroidered with gold thread covers his chest and sleeves. The elaborate detailing, particularly the intricate patterns along the cuffs and collar, suggests wealth and access to skilled artisans. A crisp white linen shirt peeks from beneath the doublet, adding another layer of visual texture and reinforcing an impression of meticulous care in appearance.
The man’s face is rendered with a degree of realism that highlights his age; subtle lines around the eyes and mouth suggest experience and perhaps some hardship. His mustache, neatly trimmed and curling at the ends, is a characteristic feature of the period. The skin tone appears somewhat ruddy, possibly due to lighting or an indication of health.
Above the figure, inscribed in elegant script, are words identifying him as Hieronymus Comes de Sanazaro Mantuimense fabrimad. This inscription serves not only as identification but also as a declaration of lineage and origin – he is presented as belonging to the noble house of Sanazaro from Mantua. The placement above his head elevates his status, almost like a heraldic crest.
The subdued lighting contributes to an atmosphere of solemnity and dignity. Shadows play across his face and clothing, adding depth and volume while also obscuring details in the background. This focus on the individual reinforces the portrait’s purpose: to present him as a man of consequence, worthy of remembrance. The overall effect is one of restrained power and quiet confidence, indicative of a person accustomed to responsibility and holding a significant position within his society.