#24823 Josep Mompou

The composition presents a female figure viewed from behind, positioned against a landscape backdrop. The subjects posture suggests she is pausing, perhaps contemplating her surroundings or adjusting something on her person. A long braid of dark hair cascades down her back, drawing the eye vertically through the frame and contributing to the sense of stillness.
The artist employed a palette dominated by warm tones – ochres, oranges, and browns – which imbue the scene with an earthy quality. The flesh tones are rendered in broad strokes, lacking meticulous detail but conveying volume and form. This simplification contributes to a stylized aesthetic that prioritizes overall impression over realistic representation.
Behind the figure, the landscape is suggested rather than precisely defined. Dark, roughly delineated trees rise from a ground plane painted with agitated brushwork. A glimpse of what appears to be a distant body of water or sky is visible through the foliage, adding depth and hinting at an expansive environment beyond the immediate foreground. The treatment of the background – its flatness and lack of atmospheric perspective – further emphasizes the figure as the central focus.
The work seems to explore themes of introspection and connection with nature. The woman’s solitary posture and the absence of any narrative context invite contemplation about her inner state. Her nudity, presented without overt sensuality or judgment, could be interpreted as a symbol of vulnerability, honesty, or an unmediated relationship with the natural world. The landscape itself appears to mirror the figures mood – quiet, contemplative, and imbued with a sense of timelessness.
The deliberate distortion of perspective and the simplification of forms suggest a rejection of traditional academic conventions in favor of a more subjective and expressive approach. It is likely that the artist sought not merely to depict a scene but to convey an emotional or psychological state through visual means.