Pride Of The Plains Malcolm Furlow

The artwork presents a large animal, likely a bison or buffalo, rendered in a highly stylized and expressive manner. The subject dominates the composition, positioned centrally against a deep violet background that contributes to its imposing presence. The artist has eschewed naturalistic representation, opting instead for an approach characterized by bold color choices and fragmented brushstrokes.
The animal’s form is constructed from blocks of vibrant hues – reds, oranges, yellows, blues, and greens – applied in thick impasto layers. These colors are not blended smoothly; rather, they abut one another, creating a sense of dynamism and visual energy. The effect is less about depicting the creatures precise appearance and more about conveying its power and spirit through color and texture.
The artist’s use of light is particularly noteworthy. While there isnt a clear source of illumination, certain areas of the animal are highlighted with brighter tones, suggesting an internal luminosity or perhaps emphasizing its strength. The dark background serves to intensify this effect, pushing the subject forward into the viewer’s space.
The composition evokes feelings of both majesty and vulnerability. The bison’s head is lowered slightly, hinting at a sense of weariness or introspection. This posture contrasts with the vibrant energy conveyed by the colors, creating a complex interplay between strength and fragility. The fragmented application of paint could be interpreted as symbolizing the disruption of natural habitats or the challenges faced by these animals in a changing world.
The signature located in the lower right corner suggests an individual artistic voice, further emphasizing the subjective nature of this portrayal. Overall, the work transcends mere representation; it is an emotional and symbolic exploration of a powerful creature within its environment.