Giulio Romano – Justitia
1520-24. Sala di Costantino
Location: Vatican Museums (fresco) (Musei Vaticani (murales)), Vatican.
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The figure’s gesture is particularly significant: she points upwards with one hand, seemingly directing attention towards an unseen source of divine guidance or truth. Her other arm rests upon what appears to be a tablet or scroll, traditionally associated with the recording of laws and judgments. The positioning suggests that Justice operates within a framework of established principles.
Flanking her are two winged figures, presumably angels, who appear to offer support or witness her actions. One angel holds a large book, likely representing sacred texts or legal codes. Their presence reinforces the notion that justice is divinely sanctioned and guided by higher powers. The arrangement creates a hierarchical structure: Justice at the apex, supported by celestial beings, with the inscription anchoring her identity below.
The background reveals a complex architectural setting, populated by numerous figures engaged in what appears to be a celebratory or ceremonial procession. This bustling scene contrasts sharply with the stillness and solemnity of the central figure, emphasizing her role as an observer and arbiter amidst human activity. The muted color palette – dominated by ochres, creams, and reds – contributes to a sense of gravitas and timelessness.
Subtly, there’s a suggestion of tension in the composition. While Justice appears resolute, the upward gesture implies a reliance on external authority, potentially hinting at the complexities and limitations inherent in any system of justice. The crowded background also suggests that human affairs are often chaotic and require careful judgment to navigate.