Parmigianino – Mazzola Girolamo Francesco Maria The Holy Family
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a warm palette dominated by earthy tones – ochres, browns, and greens – which contribute to the overall feeling of serenity and naturalism. The woman’s garment is rendered in vibrant reds and oranges, providing a visual contrast to the muted background and drawing attention to her central role within the group. Light falls softly upon the figures, highlighting their skin tones and creating subtle gradations that suggest volume and form.
The older mans gaze is directed towards the woman and children, conveying a sense of paternal protectiveness and quiet contemplation. The two infants exhibit varying expressions; one appears to be gazing directly at the viewer with an open, innocent expression, while the other seems absorbed in examining a leafy branch he holds. This detail introduces a touch of playful curiosity into the otherwise solemn atmosphere.
The background is deliberately obscured by dense foliage, creating a sense of enclosure and privacy. The darkness beyond the immediate group suggests a world outside their familial sphere, hinting at potential challenges or uncertainties that lie beyond their protected haven.
Subtly, the painting explores themes of lineage, nurture, and the sanctity of family bonds. The arrangement of figures – the older man as a symbolic ancestor, the woman embodying maternal care, and the children representing future generations – suggests a narrative of continuity and inheritance. The setting within nature reinforces the idea that these familial ties are rooted in something larger than themselves – a natural order or divine providence. The overall effect is one of quiet dignity and profound emotional depth.