Julie (Julia Mathilda) Berwald, g. Åkerhielm of Margrethelund (1822-1877), opera singer, married to free lord court marshal Gustaf Georg Knut Åkerhielm of Mergrethelund Maria Rohl

The portrait presents a woman in a formal pose, seated and turned slightly towards the viewer. The composition is structured around her figure, which dominates the frame against a dark, indistinct background that serves to emphasize her presence. Her gaze is direct yet somewhat distant, conveying an impression of quiet dignity rather than overt engagement.
Here we see a carefully constructed image of feminine elegance and status. The subject’s attire is particularly significant: a lavish gown in shades of blue and grey, adorned with intricate lace detailing at the neckline and hem. The sleeves are puffed and gathered, characteristic of mid-19th century fashion, while the jeweled brooch pinned at her shoulder adds to the display of wealth and refinement. The presence of ornate gold bracelets on her wrists and a ring on her finger further reinforces this impression. A cluster of flowers is placed in her hair, softening the severe lines of her hairstyle and adding a touch of romanticism.
The artist has rendered the subject’s skin with meticulous attention to detail, capturing subtle variations in tone and texture. The lighting appears to originate from the left, illuminating her face and highlighting the contours of her features. This creates a sense of depth and volume, while also drawing the viewers eye to her expression.
The object she holds – a folded piece of paper or music sheet – is intriguing. It suggests an association with artistic pursuits, hinting at a profession or passion beyond the realm of domesticity. Given the context of the subject’s life as an opera singer, this detail likely alludes to her career and talent. The placement of her hand on the armrest of the chair, while seemingly casual, contributes to the overall sense of composure and control.
Subtly, the portrait conveys a narrative about social standing and personal identity. It is not merely a representation of physical appearance but also an assertion of status within a hierarchical society. The artist has skillfully employed elements of fashion, posture, and symbolic objects to construct an image that speaks to both individual character and societal expectations placed upon women of her time.