scan 133 Alphonse Maria Mucha

The composition presents a full-length portrait of a woman set against a richly ornamented background. She is positioned centrally within the frame, her gaze directed slightly off to the left, conveying a sense of introspection or perhaps distant contemplation. The figures posture is upright and dignified, suggesting an air of authority and poise.
Here we see that the woman is adorned in an elaborate gown, predominantly rendered in shades of gold, orange, and yellow. The fabric appears heavy and textured, with intricate patterns woven throughout. A large fan, also decorated with similar motifs, is held in her left hand, partially obscuring a portion of her body. Her hair, styled in loose waves, cascades around her shoulders, interwoven with what appear to be floral elements or decorative foliage.
The background is constructed from a mosaic-like arrangement of geometric shapes and stylized organic forms. The color palette echoes the tones of the woman’s attire, creating a sense of visual unity. A name – BERNARDT – appears prominently at the top of the composition in an ornate typeface, suggesting a connection to a theatrical performance or a person of renown. Below the figure, textual elements indicate “THEATRE DE LA RENAISSANCE” and printing details for a Parisian firm.
The overall effect is one of stylized elegance and refined artistry. The use of flattened perspective and decorative patterns aligns with aesthetic principles characteristic of Art Nouveau. Subtly, the image conveys themes of theatricality, beauty, and perhaps even a sense of idealized femininity. The woman’s detached gaze and opulent attire suggest a figure removed from everyday life, embodying an aura of artistic or performative grandeur. The inclusion of the name Bernhardt implies a connection to Sarah Bernhardt, a celebrated actress of the era, further reinforcing the theatrical context.