Beryl Cook – J28 Goodbye Elvis
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In stark contrast to the grounded figures, the upper portion depicts what appears to be an angelic being descending from a swirling, cloud-filled sky. This figure possesses large, stylized wings and bears a resemblance to a well-known performer, identifiable by the distinctive hairstyle. The positioning suggests a departure or ascension, a movement away from the earthly realm towards something beyond. A radiant light source emanates from behind this figure, further emphasizing its otherworldly nature.
The color palette reinforces the dichotomy between the two zones. The foreground is dominated by muted tones – grays, browns, and blacks – contributing to the somber atmosphere. In contrast, the background bursts with vibrant blues, yellows, and whites, creating a sense of ethereal beauty and spiritual elevation.
Subtextually, the work seems to explore themes of loss, fame, and the transition between life and death. The presence of recognizable names suggests a specific cultural context – the passing of an iconic figure – but the stylized rendering allows for broader interpretations regarding celebrity worship, grief rituals, and the human tendency to mythologize those who have departed. The juxtaposition of the mourning crowd with the seemingly triumphant ascension creates a complex interplay between sorrow and reverence, questioning the nature of remembrance and the enduring impact of cultural icons. The artist’s choice to depict this event in such an unusual manner – combining realistic figures with fantastical elements – suggests a desire to move beyond straightforward representation and delve into the emotional and psychological complexities surrounding loss and legacy.