I15 Tally Ho Beryl Cook

The composition presents a scene of apparent equestrian activity within a densely wooded environment. A rider, prominently positioned and rendered with exaggerated proportions, dominates the foreground. The figure is clad in vibrant red hunting attire, topped with a riding hat, and holds reins and a riding crop. The horse, depicted in shades of grey, appears to be moving forward at a brisk pace, its head turned slightly towards the viewer.
The background consists of a thicket of trees, painted with a somewhat flattened perspective that contributes to the overall sense of artificiality. A border of green frames the scene, further emphasizing its constructed nature. The lighting is even and diffuse, lacking strong contrasts or dramatic shadows.
A key element in understanding this work lies in the distortion of the rider’s physique. The figures size and shape are significantly amplified, suggesting a satirical commentary on social status or physical prowess. This exaggeration undermines any notion of heroic athleticism typically associated with equestrian pursuits. The horse itself seems somewhat passive, its expression lacking animation, which further reinforces the sense that this is not a straightforward depiction of a hunt but rather a staged scenario.
The subtexts embedded within the painting appear to critique societal norms and expectations surrounding leisure activities and class distinctions. The artist’s choice to depict an ostensibly respectable pastime – hunting – through such exaggerated means implies a questioning of its inherent value or the motivations behind it. There is a sense of irony present, as the grandeur of the hunt is undercut by the absurdity of the riders portrayal. Ultimately, the work seems less about celebrating the sport and more about exposing the performative aspects of social rituals and the potential for ridicule within them.