John Sell Cotman – The Rise of the Stocks (One of a Set of Three)
1799. 17×22
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The individual on the left presents himself as an eager broker or messenger, his body angled forward in a gesture of offering. He holds out a document – likely stock certificates or related papers – towards the other man. His attire suggests a lower social standing; the coat is worn and patched, and he carries a small bag slung over his shoulder, possibly containing more documents or samples. The expression on his face is one of intense anticipation, bordering on desperation.
The second man stands opposite him, exhibiting an air of skepticism and reluctance. He raises his hand in a dismissive gesture, as if to decline the offer. His posture is stiff and defensive, suggesting caution or distrust. His clothing – a patterned waistcoat and well-tailored coat – indicates a higher social status and likely greater wealth than his counterpart. The man’s face displays an expression of displeasure, perhaps even disdain.
The background is rendered with minimal detail, contributing to the focus on the two men and their interaction. A faint suggestion of buildings or structures can be discerned through the haze, hinting at a bustling urban environment. The title inscribed above – The Rise of the Stocks – provides context for the scene, suggesting it relates to financial speculation and market fluctuations.
Subtly, the painting conveys commentary on the social dynamics surrounding wealth and investment during this period. The contrast in attire and demeanor between the two men highlights a potential power imbalance within the financial system. The broker’s eagerness and the investors reluctance suggest anxieties about risk and reward inherent in speculative markets. The overall impression is one of tension, uncertainty, and perhaps even exploitation, hinting at the precarious nature of prosperity during a period of economic volatility.