John Sell Cotman – Beach Scene
c.1820. 22×33
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A sailing vessel occupies the right side of the canvas. It is depicted with a degree of immediacy; figures are visible on deck engaged in what seems to be activity related to its mooring or departure. Their small scale relative to the promontory reinforces the vastness of the environment and the insignificance of individual human endeavors within it. A single figure, clad in red, stands near the waters edge, seemingly observing the ship – a point of visual interest that draws attention to the interaction between humanity and the sea.
The color palette is restrained, primarily consisting of earth tones – browns, greys, and ochres – with subtle gradations of pink and pale blue suggesting a dawn or dusk setting. The application of paint appears loose and expressive, contributing to an overall impression of immediacy and capturing the transient qualities of light and atmosphere. Theres a deliberate lack of sharp detail; forms are suggested rather than precisely defined, which enhances the sense of distance and mystery.
The painting evokes a mood of quiet contemplation and melancholy. The ruined structure on the promontory could symbolize the passage of time, the fragility of human achievement, or the enduring power of nature. The ship’s presence introduces an element of movement and potential – a suggestion of journeys undertaken and destinations unknown – but it is tempered by the overall stillness of the scene. Its a landscape that speaks not only to the beauty of the natural world but also to themes of memory, loss, and the cyclical nature of existence.