John Sell Cotman – Castle at Tancarville
published 1st October 1821 etching
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The structure’s placement on the elevated landmass is significant; it conveys an impression of isolation, strength, and strategic importance. The surrounding vegetation – dense foliage clinging to the rock face – further emphasizes this feeling of being set apart from the landscape. This natural barrier also obscures much of the terrain beyond, creating a sense of mystery about what lies further afield.
Below the castle, the water’s surface is rendered with meticulous detail, reflecting the sky and the surrounding land in a manner that creates an illusion of depth. Two small boats are visible along the shoreline, hinting at human activity but appearing insignificant against the backdrop of the monumental structure.
The artist employed a technique involving fine lines to create tonal variations and texture, giving the drawing a remarkable level of detail. The play of light and shadow across the rock face and foliage adds volume and realism to the scene. The sky is depicted with billowing clouds that contribute to the overall atmospheric effect.
Subtly, the work seems to explore themes of power, defense, and the relationship between humanity and nature. The castle’s imposing presence suggests a history of conflict or protection, while its integration into the natural landscape implies an attempt at harmony – or perhaps a subjugation of the environment to human needs. The drawing evokes a sense of quiet contemplation, inviting the viewer to consider the passage of time and the enduring legacy of structures built for both security and symbolic representation.