Utagawa Kuniyoshi – People casting a net and a woman thinking of her lover
1852 colour woodblock print
Location: School of Oriental & African
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The woman’s attire immediately draws attention. A richly patterned kimono dominates the visual field, its intricate design featuring a grid of red and black squares interspersed with floral motifs. The fabrics texture appears meticulously rendered, suggesting both luxury and meticulous craftsmanship. Her elaborate hairstyle, adorned with decorative hairpins, further underscores her status and refinement. A fan is held in her right hand, angled downwards; it serves not only as an accessory but also as a compositional element that directs the viewer’s eye.
Behind her, a landscape unfolds. A group of figures are visible on a beach, engaged in what appears to be fishing – they cast a net into the water. The scene is rendered with less detail than the foreground figure, creating a sense of depth and distance. The sky displays a soft gradient of blues and whites, suggesting a calm day at sea. A cluster of foliage frames the right side of the composition, adding a touch of naturalism to the otherwise stylized depiction.
Subtleties within the image hint at deeper narratives. The contrast between the woman’s opulent attire and the humble activity of the fishermen in the background suggests a social divide or perhaps an awareness of different spheres of existence. Her gaze, while directed outward, seems distant, as if her thoughts are elsewhere – a potential allusion to themes of longing, memory, or unfulfilled desire. The overall effect is one of quiet contemplation, inviting viewers to ponder the woman’s inner world and the circumstances that shape her experience. The inclusion of Japanese script along the right edge suggests a cultural context and potentially provides further insight into the works meaning if translated.