Utagawa Kuniyoshi – Yorimasa shooting at the monster Nuye
c.1845 colour woodblock print
Location: Private Collection
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The composition is vertically oriented, emphasizing the upward trajectory of the arrow released from the drawn bow. The projectile itself is depicted mid-flight, a sharp line cutting through the atmospheric background. This background isnt a realistic landscape; instead, it consists of swirling clouds rendered in muted grays and blues, creating a sense of ethereal otherworldliness.
The dragon’s posture suggests both power and vulnerability. It appears to be rearing up defensively, its scales and features exaggerated for dramatic effect. The warrior’s stance is equally theatrical – a deliberate exaggeration of strength and precision. He seems less engaged in a desperate struggle than performing an act of controlled prowess.
Several elements contribute to the paintings layered meaning. The presence of Japanese calligraphy in the upper right corner, rendered in red against a white field, likely provides contextual information or commentary on the scene – perhaps identifying the subject or narrating a specific event. The vertical format itself is characteristic of traditional Japanese hanging scrolls and woodblock prints, lending an air of formality and reverence to the depicted action.
Subtly, the painting explores themes of heroism, duty, and the confrontation between order and chaos. The warrior’s role isnt simply that of a slayer of monsters; he embodies a force maintaining balance against supernatural threats. The stylized nature of both the figure and the creature suggests a symbolic rather than literal representation – a narrative about overcoming adversity through skill and determination, potentially drawing on folklore or historical accounts to convey moral lessons about courage and responsibility. The overall effect is one of controlled energy and dramatic tension, characteristic of Japanese artistic traditions that prioritize visual storytelling over strict realism.