Metropolitan Museum: part 4 – Henry Colton Shumway - Catherine Augusta Wilmerding
Henry Colton Shumway: 1807–1884 1843; Watercolor on ivory in red leatherette case with red velvet lining; 6 1/4 x 5 1/2 in. (15.9 x 14 cm)Other (watercolor on an ivory support): 3 3/4 x 4 3/4 in. (9.5 x 12.1 cm)
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The artist has rendered the woman’s hair in dark brown tones, neatly styled and framing her face. The skin tone appears pale, characteristic of portraiture aiming to convey refinement and social standing. Her eyes are a striking blue, drawing immediate attention and contributing to the overall impression of intelligence and quiet strength.
She is clad in a somber black dress with a high collar and what seems to be a decorative white under-layer visible at the neckline. The dark color of the garment contrasts sharply with her skin and hair, emphasizing her features and creating a visual focus on her face. A gold pendant hangs from a chain around her neck, adding a touch of understated elegance. Her left hand is gently placed over her right forearm, a gesture that appears both restrained and deliberate.
The background’s color division – the intense red on the left transitioning to blue on the right – is noteworthy. The crimson might symbolize passion or vitality, while the blue could represent serenity or intellect. This juxtaposition introduces an element of complexity beyond a simple representation of likeness. It suggests a layered personality, hinting at both inner strength and contemplative nature.
The overall effect is one of dignified restraint. There’s a sense that this portrait aims to capture not just physical appearance but also the subjects character – a woman of intelligence, composure, and quiet self-assurance. The limited palette and careful composition contribute to an atmosphere of formality and respectability, typical of portraits commissioned within a specific social context.