Metropolitan Museum: part 4 – Jean-Léon Gérôme - Bashi-Bazouk
Jean-Léon Gérôme: French, Vésoul 1824–1904 Paris 1868–69; Oil on canvas; 31 3/4 x 26 in. (80.6 x 66 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The most striking element is undoubtedly the headdress. Its a complex construction of layered fabrics – red, yellow, and patterned – adorned with what appear to be feathers or decorative elements. This elaborate headwear suggests status or perhaps a ceremonial role within the military structure. The arrangement draws attention upward, emphasizing the figure’s presence and potentially hinting at a sense of pride or defiance.
The soldiers expression is introspective; his gaze is directed downwards, conveying an air of melancholy or weariness. There is a quietness to his demeanor that contrasts with the potential violence implied by his military role. The lighting is carefully controlled, highlighting the planes of his face and creating a sense of depth. A dark background serves to isolate the figure, intensifying the focus on his individual character.
Subtly, the painting seems to explore themes of identity and otherness. The soldier’s exotic appearance, coupled with the detailed rendering of his features, suggests an attempt at ethnographic observation. However, the melancholic expression and the quiet dignity he embodies resist a simplistic portrayal of him as merely an “exotic” figure. Instead, theres a suggestion of shared humanity – a sense of fatigue or contemplation that transcends cultural boundaries. The artist’s choice to depict this individual in such detail implies a desire to move beyond superficial representations, inviting viewers to consider the complexities of his experience within a larger historical context.