Metropolitan Museum: part 4 – Bartolomé Esteban Murillo - Don Andrés de Andrade y la Cal
Bartolomé Esteban Murillo: Spanish, Seville 1617–1682 Seville ca. 1665–72; Oil on canvas; 79 x 47 in. (200.7 x 119.4 cm)
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The dog, positioned closely beside him, is a large breed, likely a mastiff or similar type, rendered in pale tones that contrast with the subject’s darker attire. A collar encircles its neck, suggesting ownership and status. The animal appears docile, resting its head near the man’s leg, creating an impression of companionship and loyalty.
The background is relatively simple: a neutral wall punctuated by architectural details – a partially visible coat of arms above and what appear to be pilasters or columns – suggesting a domestic interior or a formal setting. The lighting is dramatic, with strong contrasts between light and shadow that emphasize the man’s form and create a sense of depth.
Beyond the straightforward depiction of a gentleman and his dog, several subtexts emerge. The dark clothing and serious expression convey an air of authority and perhaps even austerity. The presence of the dog signifies not only companionship but also status; large dogs were often symbols of wealth and power in this era. The hat on the ground suggests a moment captured outside of formal occasions, hinting at a relaxed posture despite his elevated position.
The coat of arms visible above the man’s head indicates lineage or family affiliation, reinforcing the subjects social standing. Overall, the painting conveys an image of a man of importance – a figure who commands respect and possesses both wealth and influence – and it utilizes symbolic elements to communicate these qualities subtly yet effectively.