Metropolitan Museum: part 4 – Edgar Degas - The Old Italian Woman
Edgar Degas: French, Paris 1834–1917 Paris 1857; Oil on canvas; 29 1/2 x 24 in. (74.9 x 61 cm)
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The womans hands are clasped in her lap, further emphasizing a posture of stillness and resignation. She appears to be seated on a ledge or balcony, as evidenced by the terracotta roof tiles visible beyond her. A simple earthenware jug stands beside her, adding a touch of domesticity to the scene. The background cityscape is loosely defined, with indistinct buildings and foliage suggesting a Mediterranean setting.
The artist’s use of light contributes significantly to the overall mood. The figure is illuminated from an unseen source, casting shadows that accentuate the contours of her face and clothing. This creates a dramatic effect, highlighting the womans age and emphasizing the contrast between her presence and the distant landscape.
Beyond the straightforward depiction of an elderly person, the painting seems to explore themes of aging, solitude, and memory. The veil could be interpreted as symbolic of concealment or mourning, while the cityscape in the background might represent a sense of distance from vitality and connection. There’s a palpable feeling of quiet dignity within the figures posture; she is not presented as pitiable but rather as someone who has lived a full life and carries its weight with composure. The simple objects – the jug, the veil – suggest a life rooted in tradition and perhaps a certain austerity. Ultimately, the work invites reflection on the passage of time and the enduring nature of human experience.