Metropolitan Museum: part 4 – Attributed to Corneille de Lyon - Portrait of a Bearded Man in Black
Attributed to Corneille de Lyon: Netherlandish, The Hague, active by 1533–died 1575 Lyons Oil on wood; 6 3/4 x 6 1/4 in. (17.1 x 15.9 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a restrained palette dominated by black and muted greens. The background is rendered in a flat, uniform green tone, devoid of any discernible detail or landscape elements. This simplicity serves to isolate the figure and direct attention solely upon him. Light falls predominantly from the left, illuminating his face and highlighting the texture of his clothing. Subtle gradations of light and shadow define the contours of his features and create a sense of three-dimensionality.
The man’s expression is complex; it appears serious, perhaps even slightly melancholic, yet theres also an underlying hint of self-assurance. The directness of his gaze suggests confidence, while the slight downturn of his mouth could imply introspection or a quiet burden. The meticulous rendering of the lace collar and the careful grooming of his beard suggest attention to detail and a concern for personal presentation – indicators of social standing and refinement.
The composition’s formality – the frontal pose, the symmetrical arrangement of features, and the lack of distracting background elements – suggests that this is likely an official portrait intended to convey status and character. The black clothing, common in the period, could signify mourning or a position of solemnity, although it also served as fashionable attire for men of means. Ultimately, the painting offers a glimpse into the persona of a man who appears both dignified and thoughtful, inviting speculation about his identity and circumstances within the context of his time.