Metropolitan Museum: part 4 – Alexandre Cabanel - Catharine Lorillard Wolfe (1828–1887)
Alexandre Cabanel: French, Montpellier 1823–1889 Paris 1876; Oil on canvas; 67 1/2 x 42 3/4 in. (171.5 x 108.6 cm)
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The woman’s attire is significant. She wears a cream-colored gown, the fabric draped elegantly across her form, suggesting both refinement and ease. A dark fur collar adorns the neckline, adding a touch of luxury and warmth. The sleeves are fitted, tapering towards delicate wrists adorned with what appear to be bracelets or rings. The folds of the dress cascade down, creating visual interest and contributing to the overall sense of graceful movement.
Behind her, a substantial tapestry dominates the background. Its vibrant floral pattern, executed in deep reds, greens, and golds, provides a striking contrast to the woman’s pale gown. The tapestrys scale suggests opulence and reinforces the sitter’s elevated social standing. A glimpse of what appears to be upholstered furniture is visible beneath the tapestry, further emphasizing the setting as one of considerable wealth.
The lighting in the painting is carefully controlled; it illuminates the woman’s face and upper body while leaving portions of her gown and the background in shadow. This technique enhances the three-dimensionality of the figure and directs the viewers attention to her presence.
Subtly, the composition conveys a sense of restrained confidence and social status. The sitter’s posture is upright but relaxed, suggesting an assuredness that isn’t overtly assertive. The choice of fabrics – the silk gown, the fur collar – and the elaborate background all contribute to an impression of considerable wealth and privilege. The overall effect is one of quiet dignity and understated elegance, indicative of a woman who occupies a position of social prominence.