Metropolitan Museum: part 4 – Henry Bone - Charles X (1757–1836), King of France, after Gérard
Henry Bone: English, 1755–1834 1829; Enamel; 14 1/4 x 10 1/4 in. (364 x 260 mm); Miniatures; Bequest of Mary Clark Thompson, 1923; 24.80.523
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The artist has meticulously rendered the details of his clothing: a crimson velvet coat embroidered with intricate gold detailing, a lavish lace cravat, and a heavy mantle lined with white fur. The richness of these fabrics contributes significantly to the overall impression of power and status. A crown rests upon a cushion at his feet, alongside other regalia – a golden orb and what seems to be a ceremonial cloak – further emphasizing his royal position.
The background is dominated by an archway framed by classical columns, suggesting a palace or significant state building. The deep red drapery behind the figure creates a dramatic backdrop, intensifying the sense of importance and isolating him from any immediate surroundings. A glimpse of what appears to be a formal garden can be seen through the archway, hinting at the vastness of his domain.
Subtleties within the composition suggest more than just a straightforward depiction of royalty. The slightly downturned mouth and the shadowed areas around the eyes hint at a possible burden of responsibility or perhaps an awareness of political complexities. The placement of the crown on the cushion, rather than upon his head, could be interpreted as a symbolic gesture – perhaps indicating a temporary relinquishment of power or a reflection on its weight.
The overall effect is one of carefully constructed grandeur intended to project an image of stability and legitimacy. The artist’s skill in rendering textures and light contributes to the paintings persuasive quality, reinforcing the subject’s elevated status within a hierarchical society.