Max Beerbohm – #18582
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Surrounding this central portrait are three smaller sketches. One depicts a profile view of the same woman, emphasizing the delicate curve of her nose and chin. Another shows a similar female figure in profile, though less detailed than the others. The final sketch is contained within an oval frame, presenting another bust-like depiction of a woman with flowing hair; this one appears more idealized or romanticized compared to the central portrait.
The arrangement suggests a process of observation and refinement. It’s possible that these are studies for a larger work, exploring different angles and expressions of the same subject. The handwritten annotations scattered across the drawing provide further insight into its creation. They appear to be notes regarding dates, names (Jane Burden, Mrs. Carlyle), and locations (Holland House). These inscriptions suggest the sketches were created over time and are associated with specific individuals and places.
The inclusion of a portrait of a man – likely Charles Carlyle – in the upper right corner adds another layer of complexity. His stern expression contrasts sharply with the softer features of the women depicted, hinting at potential relationships or social dynamics that informed the creation of these studies.
Overall, the drawing conveys a sense of intimacy and personal exploration. It’s not merely a representation of individuals but rather a visual record of an artists engagement with his subjects, revealing a process of observation, contemplation, and artistic development. The layering of portraits and annotations creates a fragmented narrative, inviting viewers to piece together the story behind these sketches.