Matteo di Giovanni di Bartolo – Saint Augustine’s Vision of Saints Jerome and John the Baptist
1476. 37×66 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The focal point of the work is a group of figures positioned further back within an arched recess. A man in elaborate robes stands behind a table laden with books and scrolls, seemingly engaged in writing or reading. Above him, partially obscured by architectural elements, are two additional male figures – one appears to be bearded and crowned, while the other is youthful and clad in animal skins. The arrangement of these figures suggests a hierarchical relationship, with the crowned figure holding a position of authority or divine significance.
The architecture itself contributes significantly to the paintings meaning. The use of classical columns, arches, and pilasters creates an atmosphere of solemnity and intellectual rigor. The repetitive nature of the architectural elements – the rows of arches in the lower portion of the composition – imparts a sense of order and permanence. The limited color palette, dominated by earth tones and punctuated by touches of gold, reinforces this feeling of gravitas.
Subtly, the painting explores themes of faith, revelation, and scholarly pursuit. The man in black appears to be experiencing a divine encounter, while the figure behind the table embodies intellectual labor and the transmission of knowledge. The crowned figure above likely represents a higher power or spiritual authority, prompting contemplation on the relationship between earthly endeavors and transcendent realities. The overall effect is one of profound introspection and the search for understanding within a structured framework.