Thomas Webster – Returning from the Fair
1837 oil on canvas
Location: Victoria and Albert Museum, London.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A cluster of children surrounds them, exhibiting varying degrees of exuberance and fatigue. Their attire – a mix of simple dresses and boyish jackets with ribbons – suggests a rural or provincial setting. The youngest child, dressed in yellow, appears particularly animated, reaching out towards the woman as if seeking comfort or attention. A young girl with a drooping expression seems overwhelmed by the day’s events.
The background is deliberately blurred, creating depth and drawing focus to the immediate family group. Beyond the fence line, tents and figures suggest a bustling fairground scene, though rendered in muted tones that prevent it from dominating the foreground. The light source appears to be diffused, casting soft shadows and contributing to an overall atmosphere of gentle realism.
Subtleties within the painting invite consideration beyond the surface narrative. The contrast between the adults’ restrained demeanor and the childrens unrestrained energy speaks to generational differences and the transition from childhood innocence to adult responsibility. The scattered objects on the ground – likely remnants of treats or games enjoyed at the fair – serve as tangible reminders of a fleeting moment of pleasure.
The architecture of the house itself, with its climbing ivy and simple construction, reinforces the sense of rural life and modest prosperity. The overall impression is one of quiet contentment tinged with a touch of melancholy, capturing a commonplace scene imbued with understated emotional depth. It’s a snapshot of everyday existence, elevated by careful observation and skillful execution.