John Frederick Lewis – Hhareem Life - Constantinople (w/c
b/c & pencil with gum arabic on paper
Location: Laing Art Gallery, Newcastle.
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To the right of the bed stands another woman, dressed in a more modest but still elegant green and white ensemble. She holds what appears to be a fan, and her gaze is directed towards an oval portrait hanging on the wall behind her. The portrait itself depicts a young woman with dark hair and a somber expression, framed against a darker background.
The walls of the room are covered in intricate geometric patterns rendered in warm tones – ochre, red, blue, and gold. This decorative scheme contributes to the overall sense of richness and exoticism. A cat, striped like a tabby, is curled up on the bed near the reclining woman, adding a touch of domesticity to the scene.
The composition suggests a narrative centered around female figures within a secluded environment. The portrait on the wall introduces an element of mystery; it could represent a relative, a predecessor, or perhaps even a symbolic representation of the past. The attentive posture of the standing woman implies a sense of duty or service, while the reclining figure embodies leisure and authority.
The view through the window provides a visual contrast between the enclosed world of the interior and the broader landscape beyond. This juxtaposition might allude to themes of confinement versus freedom, or perhaps the disconnect between private life and public affairs. The overall impression is one of carefully constructed intimacy and veiled narratives, hinting at the complexities of social hierarchy and personal relationships within this setting.