Girolamo Galizzi da Santacroce – Virgin and Child Enthroned
1516. 86×44 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child, seated on the mother’s lap, appears robust and animated, his body turned slightly towards the viewer. He grasps at his leg with one hand, a gesture that introduces a note of naturalism amidst the otherwise idealized presentation. A small white dove rests near the base of the composition, positioned just above an inscription.
The setting is defined by a stone structure, likely a throne or dais, which provides a formal and elevated platform for the figures. The limited palette – dominated by dark tones punctuated by the red cloth and the pale skin of the child – creates a sense of gravity and restraint. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, contributing to the overall dramatic effect.
The presence of the dove is significant; it traditionally symbolizes peace, innocence, and divine guidance, often associated with religious narratives. The inscription at the bottom suggests a dedication or commemoration, hinting at a specific context for this work.
Subtly, theres an interplay between maternal tenderness and regal authority. While the mother’s posture and expression suggest humility and devotion, her elevated position on the stone structure implies a certain dignity and importance. The child’s lively demeanor contrasts with the mother’s quiet composure, creating a dynamic tension within the scene. Overall, the painting conveys themes of piety, protection, and perhaps, divine blessing, rendered through careful attention to detail and symbolic elements.