Per Gummeson – Snowless Winter. Motif from Skåne
Location: National Museum (Nationalmuseum), Stockholm.
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The artist’s handling of paint contributes significantly to the overall mood. A textured impasto technique dominates, particularly in the depiction of the tree trunks and undergrowth, lending a sense of physicality and immediacy to the scene. The color palette is restrained; predominantly cool tones of grey, brown, and muted green prevail, with subtle hints of ochre on some of the branches suggesting lingering autumnal hues. This limited range reinforces the feeling of dormancy and quietude associated with the season.
The composition directs the viewer’s eye into the depths of the forest. The stream acts as a visual guide, leading towards an indistinct horizon line where the trees seem to merge seamlessly with the overcast sky. A large rock positioned in the foreground anchors the scene and provides a point of contrast against the flowing water.
Subtly, the absence of snow is noteworthy. While the title suggests winter, the landscape lacks the characteristic covering of white. This detail introduces an element of anomaly – a deviation from expectation that might imply a sense of unease or disruption within the natural order. It could also be interpreted as a commentary on changing climates and the unpredictable nature of seasons.
The overall effect is one of contemplative stillness, evoking a feeling of solitude and introspection. The painting captures not just a visual representation of a landscape but also an emotional response to it – a quiet observation of nature’s rhythms and the subtle shifts that mark the passage of time.