Part 4 Prado Museum – Bloemen, Peeter van -- Paisaje romano (el Campo Vacino de Roma)
1704, 47 cm x 56 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Foregrounded are several bovine animals – cows and oxen – reclining on a patch of earth strewn with foliage. Their poses convey a sense of languid repose, contributing to the overall atmosphere of tranquility. To their right, a figure, seemingly male, is depicted in a dynamic pose; he appears to be either descending or stepping over a low wall or embankment. His attire – a simple tunic and sandals – reinforces the classical setting. The figure’s gesture, with one arm raised as if bracing himself, introduces an element of movement that contrasts with the stillness of the animals.
Further back, nestled within a valley, are several figures on horseback and what appears to be a small group gathered around a structure or cart. These individuals are rendered in less detail, suggesting their secondary importance to the overall narrative. The landscape itself is characterized by rolling hills and distant mountains, painted with a muted palette that emphasizes atmospheric perspective. A large tree occupies the left side of the canvas, its dark foliage providing a visual anchor and framing the scene.
The painting’s subtexts likely revolve around themes of Arcadia and the idealized rural life. The presence of classical architecture alongside pastoral elements suggests a contemplation on the relationship between nature, civilization, and time. The solitary figure could be interpreted as a shepherd or traveler, embodying a sense of solitude and connection to the land. The overall effect is one of quiet observation, inviting reflection on the enduring appeal of the natural world and its historical significance within Western artistic traditions. The subdued lighting and earthy tones contribute to a mood of melancholy and contemplation, hinting at a deeper emotional resonance beyond the surface depiction of a simple pastoral scene.