Part 4 Prado Museum – Balen, Hendrik van; Brueghel el Viejo, Jan -- La Abundancia y los Cuatro Elementos
1615, 62 cm x 105 cm, Tabla, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The surrounding environment is equally rich in detail. The left side of the scene bursts with reeds and tall grasses, from which numerous birds emerge, creating a sense of dynamic movement. An abundance of animals – fowl, rabbits, deer – populate the immediate foreground, contributing to an atmosphere of overflowing plenty. To the right, a lush forest stretches into the distance, its depths shrouded in shadow, suggesting both mystery and potential danger.
Above this earthly scene, a winged figure descends from the sky, seemingly showering the landscape with blessings or perhaps representing a divine presence overseeing the events below. The artist’s meticulous rendering of textures – the softness of skin, the roughness of bark, the sheen of feathers – enhances the overall sense of realism and abundance.
Subtleties within the scene suggest layers of meaning beyond mere depiction of prosperity. The reclining figures vulnerability hints at a fragility underlying this apparent paradise. The contrast between the bright, open space on the left and the dark, impenetrable forest on the right introduces an element of duality – perhaps representing the balance between joy and sorrow, or abundance and scarcity. The presence of both domesticated and wild animals could symbolize the integration of human civilization with the natural world, while also hinting at a potential for disruption or conflict. Ultimately, the painting conveys a complex meditation on themes of fertility, prosperity, and the precariousness of earthly existence.