Part 4 Prado Museum – Cabezalero, Juan Martín -- La Asunción de la Virgen
Mediados del siglo XVII, 209 cm x 147 cm, Lienzo, Lienzo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below, a multitude of figures are arranged in a dynamic grouping. They appear to be witnesses to the event unfolding above, their expressions ranging from awe and wonder to profound grief and supplication. The artist has rendered them with varying degrees of detail; some faces are clearly delineated, while others remain obscured within the throng. A figure prostrate at the base of the composition seems particularly overcome by emotion, his posture suggesting a deep sense of loss or reverence.
The color palette is rich and dramatic, employing strong contrasts between light and shadow to heighten the emotional impact. The blues and whites associated with the ascending figure are juxtaposed against the warmer tones of the crowd below, further emphasizing the separation between the earthly and the divine realms. The use of chiaroscuro creates a sense of depth and movement, drawing the viewers eye upwards towards the central event.
Subtleties within the painting suggest layers of meaning beyond the immediate depiction of an ascension. The presence of cherubic figures accompanying the ascending figure reinforces themes of celestial joy and divine escort. Their playful poses contrast with the solemnity of the onlookers below, creating a visual tension that underscores the profound nature of the event. The prostrate figure at the base may represent not only sorrow but also humility and submission before the power of the divine. Overall, the work conveys a powerful narrative of transcendence, faith, and the mysteries of the spiritual realm.