Fillol Granell, Antonio – La defensa de la choza Part 4 Prado Museum

The canvas presents a scene within what appears to be a rudimentary wooden structure – perhaps a hut or workshop – illuminated by a single shaft of light entering from an unseen exterior. Three figures dominate the composition; their actions and postures suggest labor and vigilance.
On the left, a man is actively engaged in planing wood. His body leans into the task, his posture conveying both exertion and focus. The tools he wields are rendered with considerable detail, highlighting the physicality of his work. He wears simple, functional clothing – loose trousers tucked into sandals – indicative of a working-class status.
Adjacent to him, another man sits on a low stool, observing the scene with an expression that is difficult to decipher; it might be one of concern or quiet assessment. His attire mirrors that of the first figure, reinforcing their shared occupation and social standing.
The third individual stands further back in the space, leaning against a wooden support beam. He holds what appears to be a long-handled tool – possibly a rake or similar implement – suggesting readiness for action or defense. The placement of this figure, slightly removed from the immediate labor, implies a role beyond mere work; perhaps a watchman or protector.
The artist’s use of light is particularly noteworthy. The single beam illuminates the central figures and portions of the wooden walls, creating stark contrasts between areas of brightness and shadow. This dramatic lighting not only enhances the sense of depth within the confined space but also directs the viewers attention to the key elements of the scene.
The overall impression conveyed is one of a community engaged in essential labor while maintaining a state of alert readiness. The rough-hewn wooden structure, the simple clothing, and the focused expressions of the figures all contribute to an atmosphere of austerity and resilience. It’s possible that the work depicted isnt merely construction or repair but also involves a degree of protection or defense – suggested by the posture of the figure leaning against the beam. The painting evokes themes of communal effort, hardship, and perhaps even a subtle undercurrent of threat or vigilance within a rural setting.